![]() ![]() So if you want a note to have half its volume, you use the value 20. The range is 0 (silent) to 64 (full volume), which translates to 00 - 40 in hexadecimal. Let’s look at the volume range for an instrument as an example. Personally, I love it, heh.Īnyway, it’s really quite simple once you get the hang of it. These days our screens are obviously much bigger, but trackers have used Hex for so long now, it’s simply “the way it is”. That’s one (or more) extra column of text saved on your screen, and that space can be used to display some other feature or piece of information within the tracker. To get the number 255, you only need to use the value FF. So, hexadecimal is a more efficient way to do things in that respect. In the world of trackers where your screen space is a very precious commodity - especially back in the early days when trackers were running at resolutions such as 320x200 - more efficient use of the available space is very important. So why are the effects commands not in base 10? Would that not be easier? i think a lesson in hexadecimal wouldn’t go amiss, I’m currently searching the web for a tutorial in it. But as I said before, just have a little patience and things should fall into place quite quickly. It’s quite a big subject to cover at first, and can seem very overwhelming. Understanding the actual commands themselves, what they do, what kind of values they accept, what their limits are, etc., that is something you will simply learn over time by experimenting yourself and carefully studying the documentation (as well as things on the forum here). Up and down arrow keys will obviously move up/down to different rows in the pattern, where you can input other notes/effects/etc.Īs you can see from the screenshot, the cursor is positioned in the effect command column, and is currently editing a sample offset command (09xx, as detailed on the tutorials page). You can move the cursor from track to track by using the Tab key (Shift+Tab to move left instead of right), or by using the left and right arrow keys to move the cursor into the positions to edit things such as volume, panning, effect command, etc. I’ll borrow a screenshot which trackit used in one of his posts: The position of the cursor is really the important thing here. While in the effect command column, anything you type will be editing some kind of effect command values, etc, etc. If you’re in the volume column while typing, you will be editing the note volume or some other type of effect which can be done in the volume column. Once edit mode is enabled, you should see a red border around the pattern editor itself.įrom that point, wherever the cursor on the pattern editor is currently positioned is where the data you input on your computer keyboard will go.įor example, if you’re in the note column and you type something, a note will be entered for whatever instrument you are currently using. By default (on PC, not sure if this is different on Mac), you can toggle edit mode with the Esc key (or by pressing the record button found in the upper/left corner of the screen). As far inputting notes and commands into the pattern editor, edit/record mode must be enabled first. ![]()
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